Releases

El Guincho - Pop Negro Instores Sept. 14th

14 September 2010

After almost 2 years, Pablo Díaz-Reixa, aka El Guincho, is back with brand new longplayer, Pop Negro.
Though this is El Guincho’s 2nd full length, in many ways it’s the album he’s always dreamed of making. An 18 month process that saw him record for 3 months in Berlin’s infamous Planet Roc studio, and then mix with Jon Gass (Michael Jackson, Whitney Houston, Babyface, Anita Baker, Boyz II Men etc).
The result is nothing short of a global music masterpiece. Both grounded in a personal knowledge and passion of music history, while utterly ground breaking, fun, and contemporary, El Guincho’s Pop Negro is a must have for anyone’s personal music library.
Pop Negro is a blend of afro-beat percussion, psych tropicalia, trance repetition, steel drums, and much, much more. It will transport the listener to an island paradise that no one has ever been to but that everyone knows exists somewhere in our collective music minds.
Available on US import CD and Deluxe LP, the vinyl configuration comes with complimentary MP3 coupon and poster + debossed sleeve and a 24 page colour booklet.
In addition to a Latin Alternative Music Conference appearance, El Guincho will be touring North America in the fall with Canadian dates to be confirmed very soon.
Have a listen to lead track, Bombay at www.myspace.com/elguincho
For more information, please vist www.beggarsgroup.ca

“And here comes Pablo Díaz-Reixav aka El Guincho, right when summer songlists need him most. “Bombay,” a track from the forthcoming Pop Negro LP, is a reliably superb sunny season track — ingredients like steel drums and equatorial rhythms help in that designation.” – Stereogram

“Mr. Diaz-Reixa makes joyful music from an international assortment of loops and drumbeats – African, South Asian, Caribbean, Brazilian – and vocals, with free-associative lyrics in Spanish, that sound like a bunch of guys in a bar celebrating to endless three-chord refrains full of la-las. The repetition of the loops
turns from mechanical to hypnotic to hallucinatory to ecstatic as the songs barrel along.” – The New York Times

“El Guincho’s sample-cluttered, buoyant avant-pop pulls in a world-wide array of sounds to captivate passive listeners and rowdy dancers alike… As El Guincho locks in a listener, his carefully calibrated espectro musical also opens up wide, showcasing bricolage constructions that Diaz-Reixa likens to Legos.” – Paste

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